Events

Get ready for an unforgettable evening as we pay homage to the iconic music of MAZE and Frankie Beverly, featuring their greatest hits including “Happy Feeling,” “Southern Girl,” “Before I Let Go,” and more. Spread the word and gather your friends for a night of great music and unforgettable memories. Secure your tickets now for what promises to be an evening of soulful tunes and celebration!

Right over Left: DMV Runway Review (2017-Present) is a group exhibition, curated by Danyela J Brown. The exhibition, comprised of videos from legendary DMV runway clips and archived effects, seeks to juxtapose the artists’ relationships to craft and performance with the call-and-response timescale of Runway as a genre determined on the floor. Danyela insists upon critical ballroom studies as a methodology for reckoning with the material realities and urgencies of Black and brown, queer and trans, neurodiverse and disabled artists. Ballroom as a genre is stridently competitive, decidedly ephemeral, and absolutely ungovernable—at the same time it is the only platform many have to celebrate their expertise and self-determination. Brown started voguing in 2017 at SMYAL and has walked internationally in the mainstream and Kiki ballroom scenes. Currently, she is VA Mother of the Kiki House of Supreme, and she serves as Director of Operations for DMV Kiki Nights Inc, curating ballroom programming in DC.

The Sound of DC: A Visual History of Go-Go explores the history and contemporary influences of Go-Go, a music genre developed by African American DC musicians and named aptly for the funk style, heavy on bass and percussion, that went on for hours at a time.

Right over Left: DMV Runway Review (2017-Present) is a group exhibition, curated by Danyela J Brown. The exhibition, comprised of videos from legendary DMV runway clips and archived effects, seeks to juxtapose the artists’ relationships to craft and performance with the call-and-response timescale of Runway as a genre determined on the floor. Danyela insists upon critical ballroom studies as a methodology for reckoning with the material realities and urgencies of Black and brown, queer and trans, neurodiverse and disabled artists. Ballroom as a genre is stridently competitive, decidedly ephemeral, and absolutely ungovernable—at the same time it is the only platform many have to celebrate their expertise and self-determination. Brown started voguing in 2017 at SMYAL and has walked internationally in the mainstream and Kiki ballroom scenes. Currently, she is VA Mother of the Kiki House of Supreme, and she serves as Director of Operations for DMV Kiki Nights Inc, curating ballroom programming in DC.